See where you stand, in the feed and in AI answers.

1. 1Contrast is the token as text (or white on it, where it is a fill), on the grounds it meets. 4.5:1 for text, 3:1 for marks and focus rings.
2. 2Badges. AA passes at any size. Yellow: allowed only where named. Red: never text. Gray: rules and borders.
3. 3On-dark tokens are white or black at an alpha. Each ratio is the alpha laid over the ground first, on every gradient stop and both studio grays; the table prints the lowest.
4. 4Status-light colours never set text. --signal-green is 4.06:1 on card. Text on a tint stays ink.

The styles before this change are git tag styles-before-simplify. Sizes and radii were folded the same way: any other size to the nearest of the eight steps, any other radius to the nearest of the five.

1. 1Every grade letter is ink on the light’s tint, with a 1 px border in the light’s colour: 14.23:1 on green, 14.42 on yellow, 12.98 on red. Never white on the solid light: white on --signal-green is 4.25:1.
2. 2The border is the light. Ink on the tint carries the letter; the 1 px border in the light’s colour carries the grade, so the three read apart without colour on the text.
3. 3Bands are the live key under the category table: “Meta ads grade A–B · C · D–F”. Text on a tint stays ink; the dot carries the colour.

1. 1Specimens are set at their 1440 px size, the width these sheets are drawn at. Below that the clamps step down to the min. Any other size maps to the nearest step by its desktop value.
2. 211 px is the floor for any text, mono or sans, on every sheet and every screen.
3. 3Headline pattern: a sans statement and one italic serif phrase, --on-dark-2 on the gradient, mute on light. The snapshot’s own headline swaps the serif for weight: 500, then 400.
4. 4Three weights: 300 display, 400, 500. 600 only in the logo. Self-hosted on the site from @fontsource, Latin only; no Google Fonts request in production.

1. 1Three widths, two queries. Base styles are the phone; (min-width: 700px) adds the tablet, (min-width: 1000px) the desktop. One off-system query: (min-width: 560px) puts the no-live-ads stats 2-up. The 1100 query is the portfolio header’s only; no studio page uses it.
2. 2Mobile-first, two exceptions written downward: (max-width: 699px) folds the category table, (max-width: 999px) lifts the grade chips above the tabs.
3. 3Gutters. --gutter (16 up to 364, 64 from 1455; 63.4 at 1440) frames the portfolio’s .container. The studio pages don’t use it: they keep a 14 frame and pad inside with --pad, 20 up to 625, 44 from 1375.
4. 41440 is the cap. --maxw stops the studio wrap growing; past it the page centres. The 14 frame sits inside the 1440, so content is 1412 at most.

1. 1StudioBar: nav is display: none, then flex from 700. Padding 16 top and bottom, --pad at the sides.
2. 2Tiles: .nums is repeat(2, minmax(0, 1fr)), repeat(4, …) from 700. From 1000 the intro is a two-column grid: tag, tiles, then headline and lede beside the button.
3. 3Topbar: under 1000 .grades takes order: -1 so the selected tab still sits on its panel. From 1000 a three-track grid, minmax(0, 1fr) auto minmax(0, 1fr), chips nowrap.
4. 4Table: the three format cells .f hide under 700 and the mix line .fm shows in --fs-small; on the brand’s grey row it is ink-3, because mute there is 4.1:1.
5. 5New ads: repeat(3, minmax(0, 1fr)) with a 10 gap, no query. The bar is flex-wrap: wrap.
6. 6Start: .heroBody goes two-column at 1000; .gets goes 3-up at 700. The checklist card is the same panel slot, shown once the form is sent.

1. 1Each clamp has its own range. None of them runs 375 to 1440: --fs-read is full size from 911, --fs-h2 only from 1289. Past its max width a size is fixed.
2. 2No jumps at the breakpoints. Between its two widths a size grows in a straight line with the viewport (rem + vw), so type never steps at 700 or 1000; only layout does.

1. 1Touch targets 44 or more on a phone. The logo, the top bar pill, grade chips, picks, “Preview in the feed”, tabs (50) and the start page’s chips all set min-height: 44px; a link that must look small, like “Not your business?”, gets a transparent ::before hit area. One part falls short: an ad card’s Ad Library link is 32.
2. 2No sideways page scroll at 375. The page is a 14 frame and fluid tracks; nothing inside is wider than its column.
3. 3Wide things scroll inside their own box, never the page: the AI answers grid (.qcard) and the studio page’s logo strip (.strip) take overflow-x: auto. The category table folds instead, see D10.4.
4. 4Grid tracks are minmax(0, 1fr), never a bare 1fr, and text children get min-width: 0. Card rows that wrap use minmax(min(100%, 240px), 1fr), so one card never outgrows a phone.

1. 1@starting-style gives the open its start; overlay and display (allow-discrete) keep the viewer on screen for the 260 it takes to close.
2. 2One motion for every dialog: the picture viewer, the grade-chip checks, the ad viewer and the industries dialog all take class="motion" (global.css), so they open and close on this same timeline. Their backdrops keep their own blur (6 or 8 px) and fade with them.

1. 1Out, then in. The old audit fades for 150, then the panels swap and the new one fades up 4 px over 450, while the tabs and grades are already moving.
2. 2Reduced motion: LEAVE_MS is 0 and the tabs’ transitions are off, so the switch is instant.

1. 1A crossfade, not a slide. Only with prefers-reduced-motion: no-preference; otherwise, and in browsers without cross-page view transitions, a plain load.

1. 1Once, on entry (8% visible, bottom margin −8%), then unobserved. Hidden only under html.js; with reduced motion everything is shown at once. On the studio page: the two examples (0, 80) and the stat strip (60 apart).

1. 1Six cards, one shuffle every 2600. The front card leaves down-left and fades; the rest step forward and lighten; at 650 it is repainted with the next ad and slips in at the back.
2. 2It stops while the pointer is over it, while Pause is pressed (a 44 px button; it toggles to Play) and while the tab is hidden. With reduced motion it never starts and Pause is hidden.
3. 3The hero message beside it runs on its own clock: every 6500 a 450 crossfade, rising 10 px. Pause holds it too; hover doesn’t, and choosing a dot hands it to the visitor for good.
4. 4Pending ad frames fill with cubic-bezier(.4, .4, .6, 1), near-even with an eased end, timed by the script to the expected wait; off with reduced motion.

1. 1Motion reveals, connects and confirms. A tab raises into its panel, a viewer rises over the page, a section arrives as you reach it. Nothing moves for decoration but the deck.
2. 2Nothing loops except progress (spinner, chase, bar) while work is running, and the one hero deck with its message.
3. 3Reduced motion resets every duration to 1 ms and every delay to 0, with one iteration (global.css). Reveals show at once, page crossfades are off, and dialogs appear and close instantly.
4. 4Never information by motion alone. The spinner sits beside its step’s words, the bar beside its %, the chase beside “Running”; a still frame says everything.

1. 1Outline · 48 high, 22 sides. “Buy your new ads →” at the top and bottom of the snapshot.
2. 2Rust is for money only. Its label always states the count and the price: $99 an ad.
3. 3Ink is the quiet yes: Send for the follow-up email, Continue after a missing page.
4. 4Toggle · 44 high. aria-pressed: “Select ad B3” off, “✓ Selected” on.

1. 1One moving thing. Only the working step gets the bar and its percentage (ink-3, 8.72:1). The arc is decoration at 2.87:1; the number is the information.
2. 2Shape changes with state: fill, open arc, ring, so colour is never the only cue. Done fills --signal-green inside a 3 px gap, drawn with padding, not a shadow.
3. 3Steps change words, not order. A missing page rewrites its row and the snapshot carries on.
4. 4Announced as a live region, “Building your snapshot”; the bar is a progressbar with its value.

1. 1Paper tile, R 16, 18 padding. Geist 300 number at --fs-h3, 32 at 1440; 14 px label 8 below in mute (5.56 on paper). Two across on a phone, four on desktop; the instant snapshot sets number and label on one line from 700 px.
2. 2A zero is a finding, not an error. It stays in the row and the headline explains it. No data at all prints an en dash.
3. 3Yellow is review only. An untraced number can’t be approved, so this state never reaches a prospect.

1. 1Caption says why the ad exists: the fix it answers, or its format and sizes. 14 px ink-3.
2. 2Left out: the preview goes gray and the toggle returns to outline, “Select ad B3”.
3. 3Making: each frame on --hover fills with --accent-tint from the bottom and names the step; the ad appears in place when it’s drawn.
4. 4The total follows the picks: $99 an ad, 3 ads $297. At zero the pill reads “Buy these ads” and can’t be pressed.

1. 1Mono 14 number in accent-ink over a 1 px ink rule. Bold the change, then one line of why. Three, never more.
2. 2The one filled orange surface. --accent-tint, ink text 13.34:1, straight after the fixes; the rust pill (hover --ink) is the heavy placement of the page’s single action.
3. 3Cross-sell under the category table: bold question, plain answer, a link, no second button.
4. 4Fix text is the brand’s own data; these three are sample lines for Sample Burger Co.